The Wilfred Owen Collection
My subject is War, and the pity of War. The Poetry is in the pity.
Preface
on this page
Biography
Wilfred Owen (1893–1918)
Wilfred Edward Salter Owen was born to Thomas and Susan Owen on the 18th of March 1893 near Oswestry, Shropshire. Upon the death of Owens’s grandfather in 1897, the Owen family were forced to move from the house he had owned in Oswestry to lodgings in Birkenhead (1898), Merseyside, and it was in the Birkenhead Institute that Owen’s education began. In 1907, when Thomas Owen was appointed Assistant Superintendent of the London and North Western and Great Western Joint Railways, the family moved to Shrewsbury where Owen’s education continued at the Shrewsbury Borough Technical School. Upon leaving school at 18 Owen spent a period of months working as a pupil-teacher at Wyle Cop School. In the autumn he passed the matriculation examination for the University of London but without the first class honours needed to gain a scholarship. Unable to afford to study, he worked as lay assistant to the Vicar of Dunsden near Reading. In his spare time he also attended University College, Reading, and is known to have studied the diverse subjects of botany and poetry. Between 1913 and 1915 Owen travelled to Bordeaux, France, and taught at the Berlitz School of English. He was actually tutoring in the Pyrenees when war was declared.
Increasingly aware of the scale of the War, Owen returned to England in autumn 1915 and enlisted in the Artists’ Rifles. His training was completed in Hare Hall Camp in Essex, but this allowed him time to make trips to London, notably to the Poetry Bookshop run by Harold Monro who he met. On 4th June 1916 Owen was commissioned as a second lieutenant with the Manchester Regiment. In the last days of 1916 he was posted to France. In January 1917 he and his men held a flooded dugout for fifty hours under heavy bombardment. In March, he suffered concussion and spent time in hospital. In April he returned to the front again, only to be caught up in fierce fighting. At one point he was hit by a shell blast at Savy Wood, and lay semi-conscious in a shell crater with the dismembered remains of a friend. On the 30th April whilst on parade he was noted as being ‘shaky’ and on 1st May he was diagnosed as suffering from shell-shock ('neurasthenia') and evacuated to England.
After a medical examination Owen was sent to Craiglockhart War Hospital in Edinburgh. There he met Siegfried Sassoon, also a patient and already a noted poet. Owen was to gain immeasurably from the friendship which developed between them. Sassoon’s poetic voice, with its strong emphasis on realism, influenced Owen’s developing style, as the poems 'Dulce et Decorum Est' and 'Anthem for Doomed Youth' demonstrate. This realism and emphasis on experience also played a part in Owens’s therapy in Craiglockhart where Arthur Brock, Owens’s doctor, encouraged him to translate the experiences he had suffered into poetry. Sassoon both edited and vigorously promoted his work, and brought him into a wider literary circle. An introduction to Robert Graves (a friend of Sassoon’s) led to further meetings with, amongst others, Arnold Bennett and H. G. Wells. As he recovered, Owen worked for a short time as a teacher in Tynecastle High School, before returning to light regimental duties, first at Scarborough, then Ripon. It was at Ripon that Owen ‘seemed to have composed or revised virtually all his war poems’ (Hibberd, 2002, p. 389).
In June 1918 the twenty-five year old officer rejoined his regiment at Scarborough and in August was again posted to France. He was awarded the Military Cross (posthumously) for his leadership and bravery during the attack on Joncourt on the 1st October, storming enemy points and turning a German unit’s own machine gun against them. On the 4th of November 1918, leading an attack by the Sambre Canal, near Ors, Owen was killed in action. The news of Owen’s death reached his family on Armistice Day.
Owens’s poetry was promoted and published by Sassoon after his death, and backed by Edith Sitwell, a proponent of innovative trends in English poetry. In 1931 Edmund Blunden’s anthology of Owens’s work sent his reputation soaring to new heights, and today Owen is regarded as one of the most talented poets of the period. He is buried at Ors communal cemetery in France.
| Author | Stephanie Fishwick. Edited by Stuart Lee |
|---|---|
| Sources |
|
Search the Poetry Collection
Browse Correspondence
| From Wildred Owen, Addressed to: | No. of letters/postcards |
|---|---|
| Colin Owen | 2 |
| Leslie Gunston | 7 |
| Susan Owen | 25 |
| To Wilfred Owen, from: | No. of letters/postcards |
|---|---|
| Murray McClymont | 1 |
| Robert Graves | 3 |
| Title: | Date: |
|---|---|
| 1917 | |
| The Hydra: 28th April 1917 | 1917/04/28 |
| The Hydra: 12th May 1917 | 1917/05/12 |
| The Hydra: 26th May 1917 | 1917/05/26 |
| The Hydra: 9th June 1917 | 1917/06/09 |
| The Hydra: 23rd June 1917 | 1917/06/23 |
| The Hydra: 7th July 1917 | 1917/07/07 |
| The Hydra: 21st July 1917 | 1917/07/21 |
| The Hydra: 4th August 1917 | 1917/08/04 |
| The Hydra: 18th August 1917 | 1917/08/18 |
| Editorial for The Hydra: 1st September 1917 | 1917/09/01 |
| The Hydra: 1st September 1917 | 1917/09/01 |
| The Hydra: 29th September 1917 | 1917/09/29 |
| The Hydra: November 1917 | 1917/11 |
| The Hydra: December 1917 | 1917/12 |
| 1918 | |
| The Hydra: January 1918 Advertising Supplement | 1918/01 |
| The Hydra: January 1918 | 1918/01 |
| The Hydra: May 1918 Advertising Supplement | 1918/05 |
| The Hydra: May 1918 | 1918/05 |
| The Hydra: June 1918 | 1918/06 |
| The Hydra: June 1918 Advertising Supplement | 1918/07 |
| The Hydra: July 1918 | 1918/07 |
| The Hydra: July 1918 Advertising Supplement | 1918/07 |
| Archival Holdings: | Info |
|---|---|
|
All of Owen's original poetry manuscripts and some letters written to his mother and siblings, as well as some recieved from Robert Graves, and portrait photographs. Manuscripts from the Oxford English faculty Library are listed as 'fascicle number. folio number' (e.g. L.f215r means Fascicle L, folio 215 recto). All letters use the reference numbers derived from Wilfred Owen: Collected Letters, Owen and Bell (1967). |
|
|
The British Library, ADD 43720 and 43721 |
The poems are written on loose sheets of paper, of varying size and shape, and many of them appear in several alternative drafts, without indication as to which Owen regarded as the final version. Twenty-three of them were printed, mainly from this source, by Siegfried Sassoon, Poems of Wilfred Owen, 1920, and again, with thirty-six further poems and some notes and fragments, drawn partly from here and partly from elsewhere, by Edmund Blunden, The Poems of Wilfred Owen, 1931. Items from both 43720 and 43721 are listed with their folio number. |
|
A selection of letters written by Owen during his War service, mainly to his mother, but also to his siblings. Some of these contain early drafts of his poems. All letters use the reference numbers derived from Wilfred Owen: Collected Letters, Owen and Bell (1967). |
