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The Collections
The Edmund Blunden Collection
The Vera Brittain Collection
The Robert Graves Collection
The Ivor Gurney Collection
The David Jones Collection
The Roland Leighton Collection
The Wilfred Owen Collection
The Isaac Rosenberg Collection
The Siegfried Sassoon Collection
The Edward Thomas Collection
The Photographic Collection
The Audio Collection
The Film Collection
Publications of War
The Great War Archive
Education
Education
The Tutorials
An Introduction to WWI Poetry
Seminar Introduction
Seminar Map
Wilfred Owen (1893–1918)
Siegfried Sassoon (1886-1967)
Rupert Brooke (1887-1915)
Edward Thomas (1878–1917)
Isaac Rosenberg (1890–1918)
Women's Poetry and Verse
Trench Poetry and Songs
Notes for Teachers and Lecturers
An Introduction to Manuscript Studies
Stage I: Isaac Rosenberg - 'Dead Man's Dump'
Stage II: Compare Manuscripts
Stage III: Create your own edition
Stage III: Compare your edition
Stage I: Wilfred Owen - 'Dulce et Decorum Est'
Stage I: Compare Manuscripts
Stage III: Create your own edition
Stage III: Compare your edition
Stage I: Ivor Gurney - 'Strafe'
Stage II: Compare Manuscripts
Stage III: Create your own edition
Stage III: Compare your edition
Comparing Literature
Initial Considerations
Exercise I
Exercise II: Poems
Exercise III: Nationalities
End of Tutorial
Remembrance
Exercise I
Why do we remember the war in this way?
Exercise II
Shot at Dawn
Poetry and Remembrance
Victory?
Further Reading
Isaac Rosenberg's 'Break of Day in the Trenches'
Break of Day in the Trenches
Contextual Information: Rosenberg's Life
Contextual Information: Rosenberg's Letters
Contextual Information: Analogues
WWI: Chronology and Battles
WWI: The Home Front
WWI: Trench Warfare
Issac Rosenberg: End of Tutorial
Analysing poems using online tools
Word Clouds
Concordancing - exploring words in context
Co-occurrences: Finding patterns
Combining tools
Exploring language
Schools Resources
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Higher Education
Lifelong Learners
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Reverse of postcard containing Turkish writing
Media
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Reverse of postcard containing Turkish writing
